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I picture this timing most likely established during the Palladium age but I have not validated that. Eddie Torres started educating and popularizing this timing beginning in the 1980's, from what I comprehend. He was mentored by the late June Laberta, a ballroom dance teacher, that assisted him establish his technique and timing.


The story I'm regularly told below, that still calls for additional investigation, is that as salsa began getting to brand-new audiences outside of the Caribbean and New York City, it was easier and a lot more intuitive to show cultural outsiders to dance On1 instead of On2. This tale doesn't account for the reality that I have actually heard Rueda de Casino was initially danced a tiempo On3 in Cuba.


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Salsa On1 is simply among different salsa timings you can dance to and it is one of the most usual timing you'll locate worldwide today. Salsa On1 timing definition: "On1" means you start dancing on the very first beat of bench of songs the 1. Your break actions (direction modifications) are on beats 1 and 5.


The exceptions I've located until now, where On2 is most usual, would certainly be around New york city and in South Korea (Salsa San Francisco). I'm sure there are other locations that dance mostly On2 yet I haven't danced in every nation! If you're not exactly sure what timing is most usual where you live, ask your neighborhood dancing workshop


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When a person states "I dance salsa On1" they probably indicate "I dance direct design salsa On1" (although you can dance any type of design of salsa On1, individuals generally indicate linear design). Don't stress if you've claimed these points previously, it's all excellent all of us have! The important point is to bear in mind there's a distinction between style and timing and grow your understanding so you can be much more exact when speaking about salsa with your pals.


It attaches well with the phrasing in the songs, specifically the piano, and various other percussion instruments like the cow bell and giro. Timing and design are two various points, so different the concepts when you discuss salsa with your close friends. No matter what timing is most common in your area of the world, remember you can technically dance any kind of design of salsa to any kind of timing discover and enjoy! Desire much more? Have a look at this deep Full Article dive on the difference between dancing salsa On1 vs On2 when dancing a tiempo.


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Although there is an initial mambo dancing that originated from Cuba and after that infected Mexico and New York City in the 40s and 50s, these days when somebody says "I dance mambo" they mean salsa On2, which is various than the initial mambo dancing. The erratic free-from steps of the initial mambo were danced solo.




Which's what we refer to as mambo or salsa on2 today. As the dance began to spread out, On1 timing began to come to be preferred. Salsa On2 definition: "On2" implies you start dancing on the initial beat of bench of songs the 2. Your break steps (direction adjustments) are on beats 2 and 6.


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Historically those are the tools that a boy cubano dancer gotten in touch with which was passed on to mambo and salsa. A great deal of professional dancers delight in dancing On2 for the diverse methods you can link to the songs. This is the initial son cubano and mambo timing. Child cubano is the music and dance that preceded mambo and salsa.


It links well to the clave, bass and conga - Salsa San Francisco. Cha-cha is much like dancing On2 contratiempo but you include the triple step on 4 and 8. Danced to the same beats as On1, your break steps are now on 2 and 6, which changes the feel of the dancing.


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It connects well with the conga and cowbell. https://peatix.com/user/20502970/view. This timing is almost similar to contratiempo On2 however the steps that are typically on 4 and 8 are on 4. 5 and 8. 5 instead half a beat later, which lines up with the syncopated tone of the conga. It's almost like a timing in between a tiempo and contratiempo.


5 rather than 5) you're dancing this syncopated timing. If you're dancing contratiempo and you step half a beat late in the home setting (on 4. 5 as opposed to 4) you're dancing syncopated timing. In truth it appears it's typically danced as type of a "mistake" for any person dancing the previous two timings.


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As stated previously, this was the initial interpretation of dancing on clave (son clave), where the Puerto Ricans would certainly straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to align as several actions of your fundamental as possible with the strikes of the kid clave.


Normally, people have actually found a means to dance on almost every timing feasible to kid and salsa music. People dance On3 for the very same reason you dance On1 since it highlights the solid beats of 1-3-5-7.


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Let's check out the beats you dance On1 to: -2-, -6- (solid beats are in bold) Let's check out the beats you dance On3 to: -4-, -8- (solid beats remain in vibrant) Notice how the solid beats are spaced precisely the same for On1 and On3? All you do is beginning tipping On3 rather than On1.


That's why dance On3 is so typical in Latin America. People either Attempt to dance On1 but start stepping On3 by accident and it exercises simply penalty, or They do not recognize much about timing and are just interpreting what they hear in the music, based on their experience maturing in a culture with salsa.

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